{"id":1035,"date":"2025-11-06T08:03:12","date_gmt":"2025-11-06T08:03:12","guid":{"rendered":"http:\/\/ssh.dmu.edu.et\/?page_id=1035"},"modified":"2025-11-06T08:03:12","modified_gmt":"2025-11-06T08:03:12","slug":"mr-abebaw-emagnaw-gessesse","status":"publish","type":"page","link":"https:\/\/ssh.dmu.edu.et\/?page_id=1035","title":{"rendered":"Mr. Abebaw Emagnaw Gessesse"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"354\" height=\"472\" src=\"http:\/\/ssh.dmu.edu.et\/wp-content\/uploads\/sites\/8\/2025\/11\/Abebaw-Emagnaw.jpg\" alt=\"\" class=\"wp-image-1036\" style=\"width:265px;height:auto\" srcset=\"https:\/\/ssh.dmu.edu.et\/wp-content\/uploads\/sites\/8\/2025\/11\/Abebaw-Emagnaw.jpg 354w, https:\/\/ssh.dmu.edu.et\/wp-content\/uploads\/sites\/8\/2025\/11\/Abebaw-Emagnaw-225x300.jpg 225w\" sizes=\"(max-width: 354px) 100vw, 354px\" \/><\/figure>\n\n\n\n<p>Mr. Abebaw Emagnaw Gessesse<\/p>\n\n\n\n<p> Media and Communication <\/p>\n\n\n\n<p>Lecturer <\/p>\n\n\n\n<p>Theatre Arts <\/p>\n\n\n\n<p>+251 91 864 1982 <\/p>\n\n\n\n<p><a href=\"mailto:abebawema@gmail.com\">abebawema@gmail.com<\/a>\/<a href=\"mailto:abebaw_emagnaw@dmu.edu.et\">abebaw_emagnaw@dmu.edu.et<\/a><br>Theatre for development and applications of participatory theatre practices. Film education theory and<br>practices for creative aspiration. Cinematic framing in political films. Cultural symbolism in Amharic<br>films. Culture and creative industries, exploiting indigenous knowledge and practice in Ethiopia\u2026 https:\/\/orcid.org\/0009-0002-7743-5945<br>https:\/\/www.linkedin.com\/in\/abebaw-emagnaw-37642a160\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mr. Abebaw Emagnaw Gessesse Media and Communication Lecturer Theatre Arts +251 91 864 1982 abebawema@gmail.com\/abebaw_emagnaw@dmu.edu.etTheatre for development and applications of participatory theatre practices. Film education theory andpractices for creative aspiration. Cinematic framing in political films. Cultural symbolism in Amharicfilms. Culture and creative industries, exploiting indigenous knowledge and practice in Ethiopia\u2026 https:\/\/orcid.org\/0009-0002-7743-5945https:\/\/www.linkedin.com\/in\/abebaw-emagnaw-37642a160\/<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1035","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages\/1035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1035"}],"version-history":[{"count":1,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages\/1035\/revisions"}],"predecessor-version":[{"id":1039,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages\/1035\/revisions\/1039"}],"wp:attachment":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}