{"id":1955,"date":"2026-09-06T10:07:52","date_gmt":"2026-09-06T10:07:52","guid":{"rendered":"https:\/\/ssh.dmu.edu.et\/?page_id=1955"},"modified":"2026-09-06T10:07:52","modified_gmt":"2026-09-06T10:07:52","slug":"abebaw-emagnaw-gessesse","status":"publish","type":"page","link":"https:\/\/ssh.dmu.edu.et\/?page_id=1955","title":{"rendered":"Abebaw Emagnaw Gessesse"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:27% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"73\" height=\"77\" src=\"https:\/\/ssh.dmu.edu.et\/wp-content\/uploads\/sites\/8\/2026\/09\/Screenshot-2026-09-06-063240-1.png\" alt=\"\" class=\"wp-image-1956 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><\/p>\n<\/div><\/div>\n\n\n\n<p>Full Name: Mr. Abebaw Emagnaw Gessesse<\/p>\n\n\n\n<p>Academic Rank: Lecturer<\/p>\n\n\n\n<p>Specialization: Media and Comunication<\/p>\n\n\n\n<p>Phone :+251 91 864 1982<\/p>\n\n\n\n<p>Email:&nbsp;<a href=\"mailto:abebaw_emagnaw@dmu.edu.et\">abebaw_emagnaw@dmu.edu.et<\/a><\/p>\n\n\n\n<p>Theatre for development and applications of participatory theatre practices. Film education theory and<\/p>\n\n\n\n<p>practices for creative aspiration. Cinematic framing in political films. Cultural symbolism in Amharic films. Culture and creative industries, exploiting indigenous knowledge<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/orcid.org\/0009-0002-7743-5945\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.linkedin.com\/in\/abebaw-emagnaw-37642a160\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Full Name: Mr. Abebaw Emagnaw Gessesse Academic Rank: Lecturer Specialization: Media and Comunication Phone :+251 91 864 1982 Email:&nbsp;abebaw_emagnaw@dmu.edu.et Theatre for development and applications of participatory theatre practices. Film education theory and practices for creative aspiration. Cinematic framing in political films. Cultural symbolism in Amharic films. Culture and creative industries, exploiting indigenous knowledge<\/p>\n","protected":false},"author":22,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1955","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages\/1955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1955"}],"version-history":[{"count":2,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages\/1955\/revisions"}],"predecessor-version":[{"id":1958,"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=\/wp\/v2\/pages\/1955\/revisions\/1958"}],"wp:attachment":[{"href":"https:\/\/ssh.dmu.edu.et\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}